Tuesday, June 9, 2026

American Idol News: Aerosmith’s Steven Tyler Likes Clean Sex

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Steven Tyler’s new book, “Does the Noise in My Head Bother You?” is published officially today. And while it doesn’t seem to have a lot of juicy gossip revelations, Tyler does go on and on about a couple of themes: his love of drugs, graphic sex revelations, and his need for groupies to be clean. Yes, that’s right. Despite his massive drug addiction, Tyler is one rock star who likes tidy romps. Tyler writes: “As dirty as my mind is, my body’s pretty clean. Kelly [an assistant] always made sure the girls were in the shower when I got in the room. I liked my pulchritude pristine! I can’t kiss a girl that’s been stage diving with five hundred other guys. I’m very oral and I like clean. Back then, sure, you could’ve gotten gonorrhea, but with one shot of penicillin…see ya. Unlike today, STDs were dime store a dozen in those days. How do you avoid ’em? Screw ’em through Saran Wrap? Nah, if they washed, they were clean. As someone once said, “You ain’t seen nuthin’ till you’re down on a muffin”–and I’m no different.” More to come…

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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